Despite its title, Ghana Must Go is actually not mainly about Ghana nor is it a book about violence or comedy. Instead, Ghana Must Go tells the story of a Nigerian-Ghanaian-American family that must cope with the sudden death of their patriarch. When a surprising heart attack ends the life of Kweku Sai, a former brilliant surgeon from Ghana, it forces his Nigerian ex-wife and four US-born children to come together to send him off. In doing so, we learn about the sad tragedy that led Sai to leave his career and family in America to go back to Ghana, which results in his ex-wife Fola taking care of four children by herself.
The book got more interesting as the story progressed, but I still found it a little underwhelming. For one, the prose is hard to follow as it is often written in an inconsistent and disjointed manner. Second, I didn’t really care much for any of the characters. The fact that Sai ran away from his family due to a personal humiliation does not make him very sympathetic. Fola is an intelligent and resilient woman but her character isn’t explored enough. All four of Sai and Fola’s children were significantly affected by Sai’s desertion, but in different ways. Two of them suffered a particularly terrible experience that is only made clear towards the end. The tensions and differences in their relationships with each other is actually one of the book’s more interesting aspects. I feel another reason I didn’t enjoy Ghana Must Go as much as I would have expected is that I thought it would be more about Africa, but in reality, the novel is an American story with Africa only playing small parts.
As Jerusalem finds itself under siege and facing an assault very soon from Crusaders in 1099, its citizens gather around a mysterious Copt to listen to his wise words. This is the premise of Manuscript Found in Accra, a short novel by Paolo Coelho that is basically a self-help book. And though it has the name Accra in its title, this book is also not about Ghana.
The book is written in an unusual way in which the main (and sole) character is a Copt who answers questions in the form of long and unbroken reflective monologues. The Copt’s answers represent philosophical takes on issues such as defeat, love, fear, anxiety, and myriad other common human emotions. It’s not your usual novel but it fits with Coelho’s style of unconventional writing that usually features hopeful and motivational messages about life. It can be considered a self-help book and in this sense, it is quite decent.