As the fifth of Tariq Ali’s Islamic Quintet of novels, The Night of the Golden Butterfly is the most contemporary one, taking place in 20th and 21st century Pakistan and England, as well as China. The story starts when a famous but mysterious Pakistani painter Plato asks his childhood friend, novelist Dara, as a special favor, to write about his life for his lover. Hailing from Lahore, Plato and Dara met during the latter’s university years in the 1960s and developed a friendship while ruminating over politics and philosophy. The latter would come to fall in love with a Chinese-Pakistani, Jindie, the sister of their friend and the “Golden Butterfly” of the book’s title, who ends up marrying another of their friends. Jindie harbors a fascinating ancestral origin, being the descendant of a Yunnan Hui sultan who rose up against the Qing emperor in late-19th century China. The sultan’s defeat drives Jindie’s ancestor to flee Yunnan and eventually Pakistan.
Decades after their university years in Pakistan, Dara, Plato and Jindie have all immigrated to the US and England, but still stay in touch with events in an increasingly unstable Pakistan, which has uneasy relations with the Taliban, which part of its military tacitly supported (as most people know now, Osama bin Laden was killed while “hiding out” in a Pakistani military town). The problems in their homeland catch up to Dara and his Pakistani friends in the West in the form of “Naughty,” a former socialite and ex-wife of a corrupt Pakistani military officer, who flees to and gains fame in Europe as a liberal Muslim woman who openly criticizes Islam and was implicated in a murder and sex scandal involving Pakistani army generals. While the story meanders a lot, going from Pakistan to the West and to China, it is an entertaining read that cleverly mocks liberalism, art, religion, especially radical Islam, and Pakistan.
This is How You Lose Her is a collection of short stories from Junot Diaz, whose The Wondrous Life of Oscar Diaz is one of the bluntest, raw and profane novels I’ve ever read. As with the novel, the protagonist of these short stories is a Dominican-American guy from a working-class background. As the title suggests, the stories are all, except one, about the opposite sex. In several of them, the protagonist features his family, especially his womanizing older brother. They are a bit raunchy and profane, in keeping with Diaz’s literary style, which is like someone talking. Most of them feature sorrowful or wistful endings, which I suppose is the main point, to portray the joy and fickleness of love and passion.